You can shoot full-frame 4K video up to 30fps or 1080p up to 120fps with all videos limited to 4: 2: 0 8-bit and 100 Mbps bit rates. You can also record both S-Log2 and S-Log3 for maximize the dynamic range. That’s not bad, but for $ 200 more, Panasonic̵
Autofocus is a strong point, as one would expect from Sony. It uses Sony’s ultra-fast hybrid phase detection AF, with 693 phase detection points in full frame mode. You also get Sony’s latest smart advertising features, including human and animal eye tracking, object tracking, predictive control, and adjustable AF transition speed in movie mode. If it works like Sony’s other recent cameras, it should offer fast, near-flawless autofocus in both movie and photo mode.
For stills, the A7C isn’t as fast as the A6600 (11 fps), but it matches the A7 III with shooting speeds of up to 10 fps with continuous autofocus (14-bit RAW and JPEG). The EVF, however, isn’t quite as good as you’ll find on the A7 III, with a 2.36 million dot OLED viewfinder versus 3.6 million dots. Considering the camcorder is designed more for video, however, this shouldn’t be a problem for most users.
With the same NP-FZ100 battery as the A6600, you can take up to 680 shots with the viewfinder or 740 shots using the LCD monitor – close to the A6600 and excellent for a full frame camera. There’s only a single card slot, but thankfully it supports fast UHS-II cards. This means you can capture up to 45 uncompressed RAW frames, 115 compressed RAW frames, or 215 JPEGs in one burst. The A7C also has a USB-C Type 3.2 port that can charge the battery, along with a micro HDMI and headphone and microphone ports.
All in all, the A7C is an interesting and unexpected member of the A7 family. It looks like the A6600, but it has the sensor and many functions of the A7 III, while adding the A7S III’s fully articulated display for vloggers. At $ 1,800, it’s $ 200 cheaper than the A7 III at launch, but it’s still not quite what I’d call “entry-level” like the $ 1,400 Nikon Z5.
The A7C will cost $ 1,800 for the body alone, or $ 2,100 with Sony’s new very compact FE 28-60mm f / 4-5.6 lens. It is expected to be available for pre-order shortly, and we will learn the US release date soon.